© 2007 WMG
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Embark on a visionary journey through the fragmented unconscious of our modern timest, and with courage face the Shadow. Through Shadow into Light.
“No tree, it is said, can grow to heaven unless its roots reach down to hell.” -C.G. Jung
Written, Directed & Produced by Lubomir Arsov
Original Soundtrack “Age of Wake” by Starward Projections Composited by Sheldon Lisoy
Additional Compositing by Hiram Gifford
Art Directed & Edited by Lubomir Arsov
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‘IN-SHADOW’ is an entirely independently funded, not-for-profit film.
If you’d like to support the artist, DONATE here: (click ‘donate’ tab) https://www.inshadow.net/
Gallery quality ART PRINTS available here: https://www.inprnt.com/gallery/inshadow/
Film Website: https://www.inshadow.net/
Facebook: https://www.facebook.com/inshadowmovie/
Music Composers: https://www.starwardprojections.com/
Contact: light@inshadow.net
© Lubomir Arsov 2017
This performance of “Hazy Shade Of Winter” comes from the Bangles’ September 2000 show at the House Of Blues in Hollywood, CA. In 1987, The Bangles were approached to record a song for the soundtrack of the film “Less Than Zero.” When The Bangles released the track as a single in November 1987, “Hazy Shade of Winter” became a hit, peaking at #2 on the Billboard Hot 100 charts. It was also a hit around Europe. “Hazy Shade of Winter” was not included on any of the band’s studio albums, but was later included on the band’s first official Greatest Hits in 1990, and on many of the band’s subsequent compilations. “A Hazy Shade of Winter” is a song originally written by Paul Simon, recorded and released by Simon & Garfunkel in 1966.
“Kiss from a Rose” es un sencillo del segundo álbum aka Seal II, editado en la banda sonora de la película Batman Forever (1995).
Uploaded by Cesarichard Lovera
Lights out tonight
trouble in the heartland
Got a head-on collision
smashin’ in my guts, man
I’m caught in a crossfire
that I don’t understand
But there’s one thing I know for sure, girl
I don’t give a damn
For the same old played out scenes
I don’t give a damn
For just the in-betweens
Honey, I want the heart, I want the soul
I want control right now
You better listen to me baby
Talk about a dream
Try to make it real
you wake up in the night
With a fear so real
Spend your life waiting
for a moment that just won’t come
Well don’t waste your time waitingBadlands, you gotta live it everyday
Let the broken hearts stand
As the price you’ve gotta pay
We’ll keep pushin’ till it’s understood
and these badlands start treating us goodWorkin’ in the fields
Till you get your back burned
Workin’ ‘neath the wheel
Till you get your facts learned
Baby, I got my facts
Learned real good right now,
You better get it straight, darling,
Poor man wanna be rich
Rich man wanna be king
And a king ain’t satisfied
Till he rules everything
I wanna go out tonight,
I wanna find out what I gotI believe in the love that you gave me
I believe in the faith that can save me
I believe in the hope and I pray
That some day it may raise me
Above these badlandsBadlands, you gotta live it everyday
Let the broken hearts stand
As the price you’ve gotta pay
We’ll keep pushin’ till it’s understood
and these badlands start treating us goodFor the ones who had a notion
A notion deep inside
That it ain’t no sin to be glad you’re alive
I wanna find one face that ain’t looking through me
I wanna find one place
I wanna spit in the face of these badlandsBadlands, you gotta live it everyday
Let the broken hearts stand
As the price you’ve gotta pay
We’ll keep pushin’ till it’s understood
and these badlands start treating us good
Uploaded by Stefano TheProfessor Sesta
Led Zeppelin live from Earl’s Court 1975
Remastered Audio / Video
Uploaded by hynodesignsclassics
*Chris Cornell: Inside Soundgarden, Audioslave Singer’s Final Days
excerpt:
At 7:06 P.M. on May 17th, after pulling into Detroit for Soundgarden’s show, Cornell fired off a jubilant message on Twitter – “Finally back to Rock City!!!!” – with a photo of the band’s name on the Fox Theatre marquee. Four hours later, Cornell finished the encore as he frequently did, closing an epic version of “Slaves & Bulldozers,” from Soundgarden’s 1991 album, Badmotorfinger, with a bellowing-vocal flourish of Led Zeppelin’s “In My Time
of Dying.”
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